Art
Center plans
24-hour fundraiser
by CONNIE PILSTON
SHOEMAKER
From The
Butler Eagle ,
September 22, 2006
Excerpt Only:
Click
here to view the entire article (requires Adobe Acrobat Viewer).
Halloween might be a month away, but
the work of Gene Fenton will get everyone in the mood for “The
Monster Mash.” The
highest bidder will
get one of his originals. Fenton will be on hand crafting his
fantastic creatures. His colorful menagerie of critters is unique,
and in some cases, scary.
Fenton is a lifelong resident of Indiana,
Pa. By day he plies the tools of his trade on big rigs and trucks,
but by night he delves into the world of dinosaurs. He graduated
from Indiana (Pa.) University in
1993 with a major in sculpture and a minor in printmaking. Sculpture,
he said, was “a natural choice” for him. His fascination
with dinosaurs began in grade school, where he began making modeling
clay
sculptures that he painted with car paint.
After his undergraduate work, Fenton
attended graduate school at Long Island University, where he
received a master’s
degree in sculpture.
Since then he’s had a pension for papier-mâché and
prehistoric creatures both real and imagined.
“Papier-mâché isn’t
always a medium that people necessarily look up to. It’s
considered a ‘craft’ rather
than ‘art,” said Fenton. For him, the medium is practical
for sculpture. Basically, it is free and easy to mix up. “I
didn’t have the clay,” he said. Fenton is quick to
note
that papier-mâché can be done anywhere, which makes
it even more convenient.
“When I work in papiermâché,
I treat it like clay,” Fenton explained. “The armatures
for the sculpture begin with paper and tape. The ‘rule’
for papier-mâché is that only one layer at a time
should be applied, but I like to use several layers of thick
papiermâché that make the material easier to mold
with my hands.”
To finish his work, Fenton either sands
or trims the papier-mâché with
a knife. He will be giving life to his next creation in person
during ART24.
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